Apple Corps Ltd. was devised as John said after Brian Epstein died in 1967. Several subsidiaries were evolved and I will be taking a look at some of the artists involved with Apple Records.

John Lennon :"Our accountant came up and said 'We got this amount of money. Do you want to give it to the government or do something with it?' So we decided to play businessmen for a bit because we've got to run our own affairs now. So we've got this thing called 'Apple' which is going to be records, films, and electronics – which all tie up".





Mary and Macca
Mary and first husband, record producer Tony Visconti
Mary Hopkin (born 3 May 1950),is a Welsh folk singer, and one of the earliest signings to the Beatles' Apple label. The model Twiggy saw her winning Opportunity Knocks

  and recommended her to Paul McCartney.Her debut single, "Those Were the Days", produced by McCartney, was released in the UK on 30 August 1968. which reached  number 1 hit in the UK.
On 21 February 1969, Hopkin's debut album, Postcard, again produced by McCartney, was released. It included covers of three songs from Donovan, who also played on the album, and one song each from George Martin and Harry Nilsson. It reached number 3 on the UK Albums Chart, although it proved to be her solitary success in that chart.
The next single was "Goodbye", written by McCartney (credited to Lennon–McCartney), and released on 26 March 1969. It reached number 2 on the UK Singles
Hopkin's third single was "Temma Harbour". Her first single not to be produced by McCartney, it was released
on 16 January 1970 and peaked at number 6 in the UK.
In March 1970, Hopkin represented the United Kingdom in the 1970 Eurovision Song Contest, achieving second place with "Knock, Knock Who's There?". Produced by
Mickie Most, "Knock, Knock Who's There?" was released as a single on 23 March 1970 and peaked at number 2 in
the UK. It was a worldwide hit, selling over a million copies.
Hopkin's final big hit was "Think About Your Children", released in October 1970, which reached number 19 in the UK. Hopkin has expressed dissatisfaction with the material produced by Most, who had taken over as her producer with "Temma Harbour". After appearing in Eurovision, Hopkin wanted to return to her folk-music roots.
At McCartney's insistence, Hopkin had recorded a cover of "Que Sera, Sera" in August 1969. Hopkin had no wish to record the song and refused to have the single released in Britain. Initially issued in France in September 1969, it was released in North America in June 1970. The single peaked at number
77 on the Billboard Hot 100 and number 47 in Canada and was also a hit in Japan, Australia, New Zealand, and Rhodesia
The last single to hit the British charts was "Let My Name Be Sorrow", which reached number 46 in July 1971. It was produced by Tony Visconti, whom Hopkin had met earlier for a Welsh recording of "Sparrow". "Let My Name Be Sorrow" was a hit in Poland in January 1972.
Hopkin's second album, Earth Song, Ocean Song, was released by Apple on 1 October 1971. The album was produced by Visconti and included cover versions of songs written by Cat Stevens, Gallagher and Lyle and Ralph McTell, as well as the two title tracks by Liz Thorsen. Hopkin felt it was the album she had always wanted to make, so, coinciding with her marriage to Visconti and with little left to prove, she left the music scene. The album's single, "Water, Paper and Clay", missed the Billboard Hot 100. It was Hopkin's last single for Apple Records, which she left in March 1972.


James Taylor is an American singer-songwriter and guitarist. He achieved his breakthrough in 1970 with the single "Fire and Rain" and in 1971 with his recording of "You've Got a Friend". He is known for his covers, such as "How Sweet It Is (To Be Loved by You)" and "Handy Man", as well as originals such as "Sweet Baby James".In late 1967 he moved to London. After recording some demos in Soho, his friend Kortchmar used his association with the King Bees (who
once opened for Peter and Gordon), to connect Taylor to Peter Asher, A&R head for the Beatles' newly formed label Apple Records.
Taylor gave a demo tape of songs, including "Something in the Way She Moves", to Asher, who then played the demo for Beatles Paul McCartney and George Harrison. McCartney remembers his first impression: "I just heard his voice and his guitar and I thought he was great ... and he came and played live, so it was just like, 'Wow, he's great.'"Taylor became the first non-British act signed to Apple. Taylor recorded what would become his first album called 'James Taylor'from
July to October 1968, at Trident Studios, at the same time the Beatles were recording The White Album. McCartney and an uncredited George Harrison guested on "Carolina in My Mind", whose lyric "holy host of others standing around me" referred to the Beatles, and the title phrase of Taylor's "Something in the Way
She Moves" provided the lyrical starting point for Harrison's classic "Something".[39][40] McCartney and Asher brought in arranger Richard Anthony Hewson to add both orchestrations to several of the songs and unusual "link" passages between them; they would receive a mixed reception, at best. Taylor fell back into an old drug habit by using heroin and methedrine. He underwent treatment in the UK and returned to New York and was hospitalized there. Meanwhile, Apple released his debut album, James Taylor, in December 1968 in the UK and February 1969 in the US. Critical reception was generally positive. The record's commercial potential suffered from Taylor's inability to promote it because of his hospitalization, and sold poorly; "Carolina in My Mind" was released as a single but failed to chart in the UK and only reached No.118 on the U.S. charts. While recovering, he continued to write songs and in October 1969 signed a new deal with Warner Bros. Records. Taylor in the early 1970s Once he had recovered, Taylor moved to California, keeping Asher as his manager and record producer, but released from his Apple contract. In December 1969, he held the recording sessions for his second album there. Titled Sweet Baby James, and featuring the participation of Carole King, the album was released in February 1970 and was Taylor's critical and popular triumph.
On December 7, 1980, Taylor had an encounter with Mark David Chapman, who would assassinate John Lennon just one day later. Taylor told the BBC in 2010:
"The guy had sort of pinned me to the wall and was glistening with maniacal sweat and talking some freak speak about what he was going to do and his stuff
with how John was interested, and he was going to get in touch with John Lennon. And it was surreal to actually have contact with the guy 24 hours before he
shot John." The next night, Taylor, who lived in the next building from Lennon, heard the assassination occur. Taylor commented: "I heard him shoot—five, just
as quick as you could pull the trigger, about five explosions."
He still performs today                                                                          .




L to R :

Mike Gibbins

Tom Evans

Pete Ham

(in front) Ron Griffiths

William Everett Preston born September 2, 1946  was a top session keyboardist in the 1960s, during which he backed artists such as Little Richard, Sam Cooke, Ray Charles, Reverend James Cleveland and the Beatles. He went on to achieve fame as a solo artist, with hit singles such as "That's the Way God Planned It", the Grammy-winning "Outa-Space", "Will It Go Round in Circles","Space Race", "Nothing from Nothing" and "With You I'm Born Again". Additionally, Preston co-wrote "You Are So Beautiful", which became a number 5 hit for Joe Cocker. Preston was one of five musicians credited on a Beatles recording other than the group's four members. Preston continued to record and perform with other artists, notably George Harrison after the Beatles' breakup, and Eric Clapton, and he played keyboards for the Rolling Stones on many of the group's albums and tours during the 1970s.

Preston first met the Beatles as a 16-year-old in 1962, while part of Little Richard's touring band, when their manager Brian Epstein organized a Liverpool show, at which the Beatles opened. They'd hook up again in 1969, when the Beatles were about to break up while recording the last album they released, Let It Be (they would later record Abbey Road, which was released prior to Let It Be). Preston is one of several people referred to as the "Fifth Beatle". At one point during the Get Back sessions, John Lennon proposed the idea of having him join the band (to which Paul McCartney countered that it was difficult enough reaching agreements with four).Preston played organ and electric piano for the Beatles
during several of the Get Back sessions; some of these sessions appeared in the film Let it Be and on its companion album. Preston also accompanied the band on electric piano for its rooftop concert, the group's final public appearance. In April 1969, their single "Get Back" was credited to "The Beatles with Billy Preston", the only time such a joint credit had been given on an official Beatles-sanctioned release (as distinct from an unsanctioned reissue of some Hamburg-era recordings on which they were the backing group for Tony Sheridan). The credit was bestowed by the Beatles to reflect the extent of Preston's presence on the track; his electric piano is prominent throughout and he plays an extended solo. Preston also worked, in a more limited role, on the Abbey Road album, contributing organ to the tracks "I Want You (She's So Heavy)" and "Something".

Preston signed to the Beatles' Apple label, in 1969, Preston released the album That's the Way God Planned It, produced by Harrison, the title song from which was a hit single in Britain. His relationship with Harrison continued after the Beatles' break-up in 1970; Preston was the first artist to record Harrison's subsequent international hit "My Sweet Lord", on his 1970 album Encouraging Words, which Harrison co-produced with him. He appeared on several of Harrison's 1970s solo albums, starting with All Things Must Pass; made a notable contribution to the Concert for Bangladesh, the Harrison-organized 1971 charity benefit; performed with the ex-Beatle on his 1974 tour of North America; and played at the 2002 Concert for George tribute, held at London's Royal Albert Hall. Preston also worked on solo releases by Lennon and Ringo Starr.
In 1971, Preston left Apple and signed with Herb Alpert's A&M Records. His personal life was troubled with his sexuality, drink and drugs offences and died in
2006 from kidney disease.


on the Let It Be sessions
John Richard Lomax (10 May 1944 – 15 September 2013) was an English guitarist and singer-songwriter. He is best known for his association with George Harrison,
who produced Lomax's recordings for the Beatles' Apple record label in the late 1960s.
John Richard Lomax was born in 1944 in Wallasey, Cheshire.He was a member of Dee and the Dynamites, The Undertakers, The Lomax Alliance, Heavy Jelly and Badger.
In January 1962, Jackie Lomax left Dee and the Dynamites to join the Merseybeat band The Undertakers.They followed The Beatles' route through local venues
before setting out for Hamburg, Germany, and securing a recording contract. They signed with Pye Records and released four singles, but they only managed one
week on the UK Singles Chart with "Just a Little Bit" (#49 in 1964). In 1965 they decided to try their luck in the United States.
Lomax spent two years in the US with The Undertakers and a couple of other groups. In 1967, Brian Epstein took his latest line-up, The Lomax Alliance, back to
UK to showcase them at London's Saville Theatre. He arranged for a single and an album to be recorded, and they signed to CBS before Epstein's death. During
that period, CBS released two Lomax Alliance singles and one Jackie Lomax solo single. More than enough tracks for an album were recorded but it was never released.
After Epstein's death, The Beatles' new record label, Apple Records, took over responsibility for Lomax's recording career, and George Harrison became involved
production. Despite having three-quarters of The Beatles on the record, plus Eric Clapton and Nicky Hopkins, Lomax's 1968 debut single on Apple, the Harrison-penned
"Sour Milk Sea", backed with "The Eagle Laughs at You" written by Lomax, made little commercial impression. Lomax and Harrison recorded the remainder of the
Is This What You Want? album in Los Angeles, with Hal Blaine and other members of the Wrecking Crew; but as with the concurrent single, the Lomax-produced "New Day",
success remained elusive when the album was released in early 1969. A final Apple single followed, a cover version of "How the Web Was Woven" featuring Leon Russell.
By 1970, The Beatles' breakup left the remaining Apple Records artists in limbo.[2]
During his last years, Lomax resided in Ojai, California, United States, with his wife, Annie (previously Norma Richardson), mother of fashion photographer
Terry Richardson. On 15 September 2013, Jackie Lomax died, cancer related, after a short illness, on the Wirral Peninsula while staying in England for the
wedding of his daughter.
With The Undertakers in 1964


Badfinger were a Welsh/English rock band formed in Swansea that were active from the 1960s to the 1980s. Their best-known lineup consisted of Pete Ham, Mike Gibbins, Tom Evans, and Joey Molland.
They started out as the Iveys in 1961, and became the first group signed to Apple in 1968. The band renamed themselves Badfinger. From 1968 to 1973, Badfinger recorded five albums for Apple and toured extensively, before they became embroiled in the chaos of Apple Records' dissolution.
Badfinger had four consecutive worldwide hits from 1970 to 1972: "Come and Get It" (written and produced by Paul McCartney, 1970), "No Matter What" (produced by Mal Evans, 1970), "Day After Day" (produced by George Harrison, 1971), and "Baby Blue" (produced by Todd Rundgren, 1972). Their song "Without You" (1970) has been recorded many times, and became a US number-one hit for Harry Nilsson and, decades later, a UK number-one for Mariah Carey.
After Apple Records folded in 1973, Badfinger struggled with a host of legal, managerial and financial issues, leading to Ham's taking his own life in 1975. Over the next three years, the surviving members struggled to rebuild their personal and professional lives against a backdrop of lawsuits, which tied up the songwriters' royalty payments for years. Their subsequent albums floundered, as Molland and Evans alternated between cooperation and conflict in their attempts to revive and capitalise on the Badfinger legacy. In 1983, Evans also died by suicide.